Lewis Lupton: The Michelangelo of Chiswick

Best known as the author of the 25-volume A History of the Geneva Bible (London: Fauconberg Press; The Olive Tree, 1966-1994), which was indeed his magnum opus as Peter Toon once wrote, Lewis Lupton was not only a church historian and writer, but also an artist, storyteller, theologian and loving husband and father. As David Martyn Lloyd-Jones once put it, "Mr. Lupton has not only the eye of an artist but also the nose of the true historian, and above all the understanding of one well versed in the Reformed faith." In the words of J.I. Packer, Mr. Lupton was "[a]n artist with brush and pen as well as words and wisdom." The story of his life and legacy is one that deserves to be more widely known.

Born on July 18, 1909, in Fulham, London, as the oldest of seven children, Lewis Frederick Lupton (known as "Luppy" to some) was recognized early to have a gift for artistic talent. His family moved to Sheffield -- where they attended the Mount Olivet Strict Baptist Chapel -- when he was very young, and after leaving school at the age of 12, he was given a scholarship to study at the Sheffield College of Arts and Crafts for a period of seven years. This is where he met (Phyllis) Joan Ainger, the future Mrs. Lupton. 

[Lewis Lupton self portrait, 1929.]

After their marriage in 1934, they moved to London the following year. Mr. Lupton was asked by a fellow Sheffielder, Victor Askew, to join his commercial art studio, Askew Younge Studios. While there he worked on advertising projects for a wide range of firms including Marconi, and P and O. In 1939, Mr. Lupton illustrated both Kathleen Conyngham Greene, The Rector's Second Daughter; and James Cahill, The Pilot of Indian Leap. In 1940, he illustrated Brian Reed, The World Goes By Machines, and he was the illustrator for Wilfrid Robertson, The Island Plot (1942), for Christopher Beck, et al., The Triumph Book for Boys (1942), for Violet M. Methley, Derry Down-Under (1943) and for S.C. George, Eagle of the Desert (1943). The Luptons later became members of the North Rd. Strict Baptist Chapel, Brentford, and meanwhile, their son Jude was born in 1939.

During World War II, he exhibited several oil paintings in the Royal Academy, some of which were chosen to tour the country. He was also a keen water color painter and never traveled without his easel and paints. During the war he needed to develop further commercial art clients and found work with City Display Organisation. As a conscientious objector he chose not to take work promoting the war effort, but designed posters for the Ministry of Fuel and Power, and Dig for Victory campaign. The house where the family was living in Chiswick was destroyed by bombing in 1941, but Jude was rescued unharmed from his cot. The family lived in temporary accommodations until they bought their current home in 1944. Two daughters, Esther and Julia, were born after the war, and the family later settled at Gunnersbury Baptist church in Chiswick.

After the war he illustrated many books published by Scripture Union (formerly the Children’s Special Service Mission or CSSM), and was encouraged in his work by his boss, A Morgan Derham. In 1948 he illustrated Mr. Derham’s On the Trail of the Windward: A Story of the Norfolk Broads, followed by Mr. Derham’s The Cruise of the Clipper: A Story of the Norfolk Broads (1952) and Bluewater Mere (1954). He also illustrated many of the children's novels by Patricia St. John, such as The Tanglewoods’ Secret (1948), Treasures of the Snow (1950), Star of Light (1953) and Rainbow Garden (1960); and others such as Deborah Bennett, Jean’s Black Diamond: A Story of Australia (1951), Son of Diamond: A Story of Australia (1952) and Susan’s Conquest: A Story of Australia (1956); Joyce Reason, Laughter of the Desert (1952); David Britten, The Making of Stephen Hall (1954); Elisabeth Batt, The House With the Blind Window (1955), In Search of Simon (1956) and The Wilde Riders (1960); Christine Savery, Red Knights from Hy Brasil (1955); Leslie S. Ward, Touchdown to Adventure (1958); Will Maggs, Head-Hunters’ Moon (1958); Constance Savery, Flight to Freedom (1958); Margaret Barry, Julie Westaway (1958); Gordon Parke, Coffins for Traitors (1958); Mary Batchelor, All For Good (1958); Richard Armstrong, Sabatoge at the Forge (1960); Maurice Cox, Virginian Rebel (1960); Godfrey C. Robinson and Stephen F. Winward, In the Holy Land: A Journey Along the King’s Highways (1963); O.L. Rice, My Friend Linda (1976); and Elizabeth Mumford, Holiday in the Mountains (n.d.). His love of art and his Christian convictions led him to illustrate and design exhibitions for organizations such as The British and Foreign Bible Society, Strict Baptist Mission and Scripture Union (he illustrated, for example, John C. Pollock, The Good Seed, Story of CSSM & Scripture Union, 1959), and for The Evangelical Magazine. It was during his time at SU that he started writing, later entering Captured into their annual children’s writer competition.

[All For Good by Mary Batchelor, 1958.]

It was in 1959 that Mr. Lupton spoke at the Puritan Conference at Westminster Chapel. Dr. David Martyn Lloyd-Jones after hearing his lecture encouraged him to publish his work. Mr. Lupton would go on to create the original logo for the publisher, Banner of Truth, as well as illustrate many cover sketches for Banner of Truth publications, including the design for the Geneva series of Bible commentaries. His artwork appears on two volumes by J.C. Ryle that were reprinted by Banner of Truth in 1960: Five Christian Leaders and Five English Reformers; as well as the 1960 BoT edition of James Bannerman’s classic, The Church of Christ.

An exhibition designer during and after WWII, Mr. Lupton once met the Queen Mother at the opening of the 1951 Faith of Britain exhibition, which he had designed. Too embarrassed to wear his hearing aid (he was deaf), he unable to hear what she said. In A History of the Geneva Bible, he noted “isolated as I am by deafness and devoted to my art, social relationships cannot be my strong point; yet, as I go about looking for subjects to sketch I am continually swept by waves of rapture for the physical world around me” (3:188-189).

It was after WWII that Mr. Lupton had an experience that was life-changing. He tells the story in the first volume of what would become the great work of his life, A History of the Geneva Bible (1:11-12):

It was on a sketching tour soon after the War that I fell in love with a [Geneva] Bible. It lay invitingly open in a window shop in Chichester. The left-hand page had an old map with galleons and sea monsters on it while the right had a gorgeously decorative title and border. It was early closing day so we drove on to Bosham with our easels and canvasses. But I always regretted missing that Bible and in the end, some three years later, I wrote to see if it was still there. It was, and thereby hangs this tale.

I soon found that there was more to the volume than met the eye, especially for people who feel a sneaking sympathy with those underdogs of our school history books -- the Puritans and Roundheads. I found that this old book was a real Puritan Bible. As I dug out more and more bits of information about it I found myself back in a thrilling world of romance, of little ships slipping their moorings at night, of galloping horses, of the roar of siege cannon, of snowy Alpine passes, of printing presses, of men who feared neither man nor devil, Queen nor Emperor, of a royal Duchess trudging a lonely road in pouring rain at midnight and carrying her husband's sword while he carried her baby, of love among exiles in foreign cities, of births, of deaths and a hundred other things of which I could write if this book were a Geneva quarto or one of Christopher Barker's great folios instead of a mere 20th century demy octavo.

This experience led Mr. Lupton to not only cherish the Geneva Bible and begin a 25-volume study of its history, but also contributed to his appreciation for and contributions towards hand-lettered calligraphy, which he used from volume eight forward, with a quill pen. The individual volumes are a treasure, because each has the feel of a book written especially for the reader.

[The first volume of Mr. Lupton's magnum opus.]

The preface to the fourth volume of A History of the Geneva Bible was written by Dr. David Martyn Lloyd-Jones, and sheds more light on both the man and his magnum opus (4:7-8): 

For many years I had known of Mr. Lewis Lupton's interest in the Geneva Bible, and having heard his paper on the subject at a "Puritan Conference" some years back, I was delighted when he told me that intended publishing the story of its history in several volumes.

I have already greatly enjoyed the first three volumes and it is now my privilege to write this word of Introduction to the fourth volume.

All who have read the previous volumes will need no encouragement to read this one, but for the sake of those who may not have done so, I would call attention to certain special features of this series of books.

They are of unusual interest and importance at the present time. We have been bombarded by new translations of the Bible during the past twenty years, so it is particularly valuable to have this history of one of the most important and influential translations ever made.

Fortunately for us, however, Mr. Lupton does not confine himself solely to that theme. He rightly includes the entire history of that most fascinating period during which the shape of the different sections of the Christian church in Britain was being determined. At a time when the nature of the church and its form of government is constantly before us because of the various ecumenical activities, it is essential that all branches of the church should be familiar with their origins and factors that determined what happened.

Here we have it all in detail - the troubles at Frankfurt, the prejudices and the divisions, and the mighty influence of John Calvin at Geneva.

At the same time there are cameos of the great men of those days who were gathered together in various places, and who grappled with the great questions which are in our day and generation still burning and vital issues.

I am particularly glad that Mr. Lupton has "spread" himself. Far too often we are given mere summaries, or an expression of the prejudices of the author; but here, the facts are allowed to speak for themselves and we see these men who belonged to the second generation of Protestant leaders as they were, and as they met their daily problems.

At the same time we are led into what, from the purely theological standpoint, are most interesting by-paths, where we learn something about printing, art, etc. 

Personally I always find this type of book not only interesting but truly instructive and stimulating, and the larger the number of facts and details the better.

Mr. Lupton has not only the eye of an artist but also the nose of the true historian, and above all the understanding of one well versed in the Reformed faith. I need say nothing about the sheer delight to the eye of these volumes.

This particular volume is worthy of its predecessors and whets our appetite for what is yet to come.

It was also in the 1960's that Mr. Lupton set up (with others) The Fauconberg Press (named for Lady Mary, daughter of Oliver Cromwell, known as Countess Fauconberg), the publishing arm of the Strict Baptist Historical Society. Books he illustrated for TFP include J.H. Alexander, More Than Notion (1964) (a story of revival); Lewis Lupton, Red Indian Peril: The Story of John Eliot, the Apostle of the Red Indians, Translator of the Bible no-one can read and the First Protestant English Missionary (1965); Lewis Lupton, Captured: Being the Adventures of a Puritan Boy, Sandy Williams, of Deerfield in Massachusetts, New England, in the year 1704. How he was Captured by the Abenaki Indians; his residence in Canada and Acquaintance with Mademoiselle Carignan and other of the French Nobility, with all that he suffered at the hands of the Governor and Priests; together with an Account of the Remarkable Sequel now set forth by Lewis Lupton (1965); and Lewis Lupton, Behind Mr. Bunyan (1968) (a true story of Agnes Beaumont, who belonged to John Bunyan's Meeting). These stories engage not only younger but older readers as well (Captured has "A Preface for Young Older Folk," "Another Preface, For Younger Young Folk," and "An Introduction, For Nobody"). The prominent theme in these works is a desire on the part of the writer/illustrator to bring church history alive and make Puritan Christianity relevant to our day.

[Portrait of Lewis Lupton by Julia Button from Captured, 1965.]

Mr. Lupton shared personal remarks often in his History of the Geneva Bible, and the last volume he published (it was considered “unfinished” at the time of his death in 1996) contains interesting comments he made in the postscript. In the context of describing his appreciation for the influence of Dr. J.I. Packer, Dr. D.M. Lloyd-Jones and Rev. Peter Toon, he had this to say about what the “rediscovery” of Puritan theology meant to him personally.

Another plank in our ‘Puritan’ platform was called the ‘Banner books,’ reprints of puritan tomes, splendidly printed, a venture of the greatest value, which still does much good worldwide. These excellent works are puffed on their way by a magazine, of which I count No. 11 as a turning point in my thinking, for it was devoted to the ‘Free Offer.’ Brought up on predestinarian Baptist preaching, and confirmed in the same by studies of, and around, the Geneva Bible, I was familiar with its rediscovery at Geneva, Beza’s chart of ‘double’ predestination, and the perils of ‘hypercalvinism.’ Therefore the ‘Banner’s’ summary of the Biblical doctrine of the ‘well meant’ offers of mercy to all, brought pure joy to my troubled heart, while Boston’s ‘Fourfold State,’ wiped the last vestige of a frown from my Father’s face. (25:111)

In 1968, Mr. Lupton toured the area around Christ Church, Spitalfields, a place known to history for its warm embrace of French Huguenot refugees. He wrote about his experience and provided illustrations of his tour, which are available to see here.

The Olive Tree published a facsimile reprint of Anne Locke’s 1560 English translation of the French Sermons of John Calvin upon the Song that Ezechias made after he had been sick and afflicted by the hand of God, contained in the 39^th chapter of Isaiah (modernized English title), along with her poetic meditation on Psalm 51 under the title Mrs. Locke’s Little Book (1973).

[Portrait of Lewis Lupton by Joan Lupton.]

A man who loved the visual as well as the written word, he illustrated the ceiling of his house showing the gospel from Genesis to Revelation (which was featured in the 1989 Observer). It was painted in oils directly on the plaster. He created a similar illustration on the ceiling of another house. Those who have seen the ceilings continue to marvel about them to this day.

He died on July 16, 1996. Almost exactly two years later, Joan passed away on July 2, 1998. His three children (Jude, Esther and Julia) still own the Lupton house, and Jude lives there to this day. Mr. Lupton has been memorialized in several places. The Strict Baptist Historical Society published his obituary, as did Iain Murray in the October 1996 Banner of Truth Magazine [I have just read Mr. Murray's tribute to his friend shortly before publishing this article, and it is a wonderful encomium]. A page in his honor tells the story of his life and highlights his skill as an illustrator in Donald L. Brake and Shelly Beach, A Visual History of the King James Bible: The Dramatic Story of the World's Best-Known Translation (2011), which also includes many varied and beautiful illustrations by Mr. Lupton. Peter Toon, the great Anglican minister and historian, in Puritans and Calvinism (1973) (whose 1967 book Hypercalvinism, was published by Mr. Lupton's The Olive Tree), had this to say in his preface about Mr. Lupton: 

I dedicate this book to two men, both of whom are twice my age.  They have never met but they share a common enthusiasm for all that is best in Puritan divinity.  First, by reason of his greater age, is Norman F. Douty of Pennsylvania, preacher, teacher and theologian.  This year he celebrates the fiftieth anniversary of his ordination to the Christian ministry in the Baptist denomination.  He has given me the privilege of seeing through the press for him his major study entitled The Believer’s Union with Christ to be published by Reiner Publications in April 1973.  Second, Lewis F. Lupton, artist, historian and theologian.  Two of his paintings hang in my house and his portraits of my wife and me are in my study.  He is engaged in publishing a truly magnum opus, a History of the Geneva Bible in at least seven volumes, four of which have appeared already.  Enriched by beautiful illustrations, the books are published by Mr. Lupton’s own publishing house, The Olive Tree of Chiswick, London.

In researching this article, I have corresponded with his daughter Julia, and a number of others who have known Mr. Lupton over the years. Many have offered me testimonies of his character, anecdotes of his life, and access to his works. I am greatly indebted to each of them. I would note also that Mr. Phil Roberts of Tentmaker Publications has rights to the reprinting of A History of the Geneva Bible, and some volumes have already been reprinted.

[The Resurrection Tree by Lewis Lupton.]

In 1965, Mr. Lupton wrote of himself, “For the last decade he has devoted much of his time to the illustration of Christian literature. He now finds the appeal of the three creative activities, writing, painting, and drawing almost equally balanced. Like most people with artistic gifts he is spurred on by the hope of producing some work of lasting merit, but at middle age it still remains to the seen whether he will make any permanent mark.” There are no statues standing in London so far as this writer knows to honor "the Michelangelo of Chiswick." Charles Spurgeon once wrote, however, that “A good character is the best tombstone. Those who loved you and were helped by you will remember you when forget-me-nots have withered. Carve your name on hearts, not on marble.” We have precious writings and beautiful illustrations to cherish from Mr. Lupton's hand. But his legacy lives on most particularly in the hearts of his loved ones, and those who knew him - and those who wish they had known him. 

'Puritan' Nickname Coined 450 Years Ago

It was in 1564, according to Thomas Fuller (The Church History of Great Britain, Vol. 2 (1854 ed.), p. 474), that the term 'Puritan' first began to be used by English Bishops who opposed those who desired a purer, Reformed religion in the Anglican Church (although the movement itself began earlier). Perhaps hearkening back to the name Cathari, or Puritan, which was applied to other sects at different times in church history, it was intended as an odious slur, as was 'precisian,' and 'Presbyterian,' as used by Archbishop Matthew Parker, for instance, in his letters to describe the reforming party of his church. As with many such labels, what was intended as an insult was eventually embraced by those so-called, although other more neutral terms such as 'dissenters' and 'nonconformists' were sometimes preferred. John Geree embraced 'Puritan' and 'Nonconformist' in The Character of an Old English Puritan, or Non-Conformist (1646):

The Old English Puritan was such an one, that honored God above all, and under God gave every one his due. His first care was to serve God, and therein he did not what was good in his own, but in God’s sight, making the word of God the rule of his worship. He highly esteemed order in the House of God: but would not under colour of that submit to superstitious rites, which are superfluous, and perish in their use. He reverenced Authority keeping within its sphere: but durst not under pretence of subjection to the higher powers, worship God after the traditions of men. He made conscience of all God’s ordinances, though some he esteemed of more consequence.

Robert Bolton, for example, spoke of 'Puritan' as "the honourable nickname of the best and holiest men" (Mr. Bolton's Last and Learned Worke of the Foure Last Things (1635), p. 12).

Robert Bolton, A Discourse About the True State of Happinesse (1631), p. 163:

I am persuaded there was never poor persecuted word, since malice against God first seized on the damned angels, and the graces of heaven dwelt in the heart of man, that passed through the mouths of all sorts of unregenerate men, with more distastefulness and gnashing of teeth, than the name of puritan doth at this day; which notwithstanding as it is now commonly meant, and ordinarily proceeds from the spleen and spirit of profaneness and good fellowship, as an honourable nickname, that I may so speak, of christianity and grace.

Elsewhere he is reported to have said:

All those nick-names of Puritan, Precisian, Hypocrite, &c. with which lewd tongues are wont to load the saints of God, are so many honourable badges of their worthy deportment in the holy path, and resolute standing on the Lord's side.

Samuel Rutherford, Letters (1894 ed.), p. 512:

I assure you, howbeit we be nicknamed Puritans, that all the powers of the world shall not prevail against us.

George Gillespie, English Popish Ceremonies (1846 ed.), Vol. 1., p. 39:

...they make godly and zealous Christians to be mocked and nicknamed Puritans, except they can swallow the camel of conformity....We know the old Waldenses before us were also named by their adversaries, Cathares or Puritans; and that, without cause, hath this name been given both to them and us.

Packer sums up the issues beautifully. J.I. Packer, A Quest for Godliness: The Puritan Vision of the Christian Life, p. 114:

Because of their concern for preciseness in following our God's revealed will in matters moral and ecclesiastical, the first Puritans were dubbed 'precisians.' Though ill-meant and derisive, this was in fact a good name for them. Then as now, people explained their attitude as due to peevish cantankerousness and angularity or morbidity of temperament, but that was not how they themselves saw it. Richard Rogers, the Puritan pastor of Wethersfield, Essex, at the turn of the sixteenth century, was riding one day with the local lord of the manor, who, after twitting him for some time about his 'precisian' ways, asked him what it was that made him so precise. 'O sir,' replied Rogers, 'I serve a precise God.' If there were such a thing as a Puritan crest, this would be its proper motto. A precise God -- a God, that is, who has made a precise disclosure of his mind and will in Scripture, and who expects from his servants a corresponding preciseness of belief and behaviour -- it was this view of God that created and controlled the historic Puritan outlook. The Bible itself led them to it. And we who share the Puritan estimate of Holy Scripture cannot excuse ourselves if we fail to show a diligence and conscientiousness equal to theirs in ordering our lives according to God's written word.

How Grief May Be Sanctified

J.I. Packer, A Grief Observed: Through Sorrow to Eternal Hope, Including Richard Baxter's Timeless Memoir of His Wife's Life and Death, pp. 168-169:

Grief -- the experiential, emotional fruit of the bereavement event -- is, as we have seen, a state of desolation and isolation, of alternating apathy and agony, of inner emptiness and exhaustion. How may such a condition be sanctified -- that is, managed, lived with, and lived through in a way that honors God? No Puritan to my knowledge addresses the question in this form, but the Puritan answer would be this:

Starting from where you are, do what you can (it may not be much at first) to move toward the thanksgiving, submission, and patience of which we have just heard.

Do not let your grief loosen your grip on the goodness and grace of your loving Lord.

Cry (for there is nothing biblical or Christian, or indeed human, about the stiff upper lip).

Tell God your sadness (several of the psalms, though not written about bereavement, will supply words for the purpose).

Pray as you can, and don't pray as you can't. (That bit of wisdom is not original to me, nor was it distilled in a grief-counseling context, but it is very apropos here).

Avoid well-wishers who think they can cheer you up, but thank God for any who are content to be with you and do things for you without talking at you.

Talk to yourself (or, like Richard, write) about the loved one you lost.

Do not try to hurry your way out of the inner weakness you feel; grieving takes time.

Look to God as thankfully, submissively, and patiently as you can (and he will understand if you have to tell him that you cannot really do this yet).

Feel, acknowledge, and face, consciously and from your heart, all the feelings that you find in yourself at present, and the day will come when you find yourself able, consciously and from your heart, to live to God daily in thanksgiving, submission, and patient hope once again -- as did Richard, and [C.S.] Lewis, and millions more.

Grieving properly leads back to thinking properly, living properly, and praising properly. God sees to that! "Blessed are those who mourn, for they will be comforted" (Matt. 5:4).

Endorsements by John Owen

Like J.I. Packer in our day, a book endorsement from John Owen was much sought-after in the 17th century. The list of works he endorsed in writing is a pleasure to read as it includes some of the best literature of his day, or any day.

Peter Toon, ed., The Correspondence of John Owen (1616-1683), Appendix II: Books which contains 'Prefaces', 'Epistles to the Reader' or 'Commendations' by Dr John Owen, pp. 178-179:

1. Henry Whitfield, Strengthe out of Weakness (1652)
2. Thomas Taylor, A Collection of the Works of T. Taylor (1653)
3. William Twisse, The Riches of God's Love (1653)
4. William Eyre, Vindiciae Justificationis Gratuitae (1654)
5. George Kendall, Sancti Sanctiti (1656)
6. Lewis Du Moulin, Paraenesis ad Aedificatores imperii in imperio (1656)
7. Philolaeclerus (pseud.), The Private Christian's Non Ultra (1656)
8. ____, Banners of Grace and Love (1657)
9. John Cotton, A Defence of Mr. John Cotton (1658)
10. William Guild, The Throne of David (1659)
11. Patrick Gillespie (?), Ark of the Testament Opened (1661)
12. James Durham, Clavis Cantici (1669)
13. Theophilus Gale, The True Idea of Jansenisme (1669)
14. Henry Lukin, An Introduction to the Holy Scripture (1669)
15. Mrs. Alleine, The Life and Death of...Joseph Alleine (1672)
16. Jean Daille, Sermons on the Epistle...to the Colossians (1672)
17. Joseph Caryl, The Nature and Principles of Love (1673)
18. ____, Scottish Metrical Version of Psalms (1673)
19. Edward Polhill, The Divine Will Considered in the eternal decrees (1673)
20. Vavasor Powell, A New and Useful Concordance (1673)
21. Thomas Gouge, The Surest and Safest Way of Thriving (1674)
22. Henry Scudder, The Christian's Daily Walk (1674)
23. Samuel Petto, The Difference between the Old and New Covenant (1674)
24. James Durham, The Law Unsealed (1676)
25. Patrick Gillespie, The Ark of the Covenant Opened (1677)
26. Samuel Corbyn, An Awakening Call (in later editions entitled The Necessity, Seriousness and Sweetnesss of Practical Religion (1677) (2nd ed)
27. Elisha Coles, A Practical Discourse of Gods Sovereignty (1678)
28. Stephen Lobb, The Glory of Free Grace (1680)
29. Bartholomew Ashwood, The Best Treasure (1681)
30. Samuel Clark, The Holy Bible with Annotations (1690)

Note: John Owen also was the first signer of 'An Epistle to the Reader' of Thomas Vincent's The Shorter Catechism Explained from Scripture (1674). And, helping to write The Savoy Declaration, "[h]e was probably the primary author of its lengthy preface" (Joel R. Beeke and Randall J. Pederson, Meet the Puritans, p. 459).

We Serve a Precise God

J.I. Packer, A Quest for Godliness: The Puritan Vision of the Christian Life, p. 114:

Richard Rogers, the Puritan pastor of Wethersfield, Essex, at the turn of the sixteenth century, was riding one day with the local lord of the manor, who, after twitting him for some time about his 'precisian' way, asked him what it was that made him so precise. 'O sir,' replied Rogers, 'I serve a precise God.' If there were such a thing as a Puritan crest, this would be its proper motto. A precise God -- a God, that is, who has made a precise disclosure of his mind and will in Scripture, and who expects from his servants a corresponding preciseness of belief and behaviour -- it was this view of God that created and controlled the historic Puritan outlook. The Bible itself led them to it. And we who share the Puritan estimate of Holy Scripture cannot excuse ourselves if we fail to show a diligence and conscientiousness equal to theirs in ordering our lives according to God's written word.

The Beloved Spouse

Thomas Hooker, The Application of Redemption, p. 137:

The man whose heart is endeared to the woman he loves, he dreams of her in the night, hath her in his eye and apprehension when he awakes, museth on her as he sits at table, walks with her when he travels and parlies with her in each place where he comes.

Thomas Hooker, A Comment Upon Christ's Last Prayer, p. 187:

That the Husband tenders his Spouse with an indeared affection above al mortal creatures: This appeareth by the expressions of respect, that all he hath, is at her command, al he can do, is wholly improved for her content and comfort, she lies in his Bosom, and his heart trusteth in her, which forceth al to confess, that the stream of his affection, like a mighty current, runs with full Tide and strength.

Thomas Hooker, The Soules Humiliation, pp. 73-74:

As a wife deales with the letters of her husband that is in a farre Country; she finds many sweet inklings of his love, and shee will read these letters often, and daily; she would talke with her husband a farre off, and see him in the letters. Oh (saith she) thus and thus hee thought when he writ these lines, and then she thinkes he speaks to her againe; she reads these letters only, because she would be with her husband a little, and have a little parley with him in his pen, though not in his presence: so these ordinances [of public worship] are but the Lord's love-letters...

[These quotes may be found in J.I. Packer, A Quest for Godliness: The Puritan Vision of the Christian Life, pp. 265, 356.]

Preaching as a Dying Man to Dying Men

Richard Baxter was a poet as well as a theologian, pastor and scholar. After his wife Margaret died in 1681, in his grief he published a set of poems called Poetical fragments: heart-imployment with God and it self, the concordant discord of a broken-healed heart, sorrow-rejoying, fearing-hoping, dying-living, written partly for himself, and partly for near friends in sickness, and other deep affliction (1681). (Later he published Additions to the Poetical Fragments (1683) and, posthumously, Paraphrase on the Psalms of David, with other Hymns.) For a brief discussion on his publication of Poetical Fragments somewhat against the counsel of concerned friends, see J.I. Packer, A Grief Sanctified, pp. 32-34.

Here is an extract [slightly modernized spelling] from the longest of his poems in Poetical Fragments, Love Breathing Thanks and Praise, p. 30, which contains an oft-quoted phrase:

This call'd me out to work while it was day;
And warn poor Souls to Turn without delay:
Resolving speedily thy Word to preach;
With Ambrose, I at once did Learn and Teach.
Still thinking I had little time to live,
My fervent heart to win mens Souls did strive.
I Preach'd, as never sure to Preach again,
And as a dying man to dying Men!